Instead, you are going through the draft line-by-line to check the scene description for fluidity and consistency. The purpose of this proofread is not to focus on experiencing the story. Having these three elements is vital to the marketing process of the final draft that you craft - as well as for the submission process you will undergo as you enter your script into contests, competitions, and fellowships. Read ScreenCraft's Do you REALLY Know What Genre Your Screenplay Is? Read ScreenCraft's How To Write Effective Loglines !Īnd third, you need to know the general genre that your script falls under. Read ScreenCraft's How to Write Screenplay Titles That Don’t Suck ! These elements will be present at the beginning of every checklist you complete for every final draft you write.įirst off, you need a killer title for your screenplay. After reading our breakdown of each check that you need to perform and mark off, you can download the checklist for free here:īefore we get into the eight checks and balances, let's focus on the essential elements that you need for a true final draft. These eight acts of checks and balances will help you get that latest draft to where it needs to be to deserve the title of The Final Draft. ![]() This checklist will help you find, identify, and rectify technical glitches in your writing - typos, grammar errors, and format problems - as well as craft-related issues like overwriting, bad pacing, and inconsistencies in story, characters, and prose. With that in mind, we offer this simple and effective tool - ScreenCraft's Ultimate Final Draft Checklist - for you to use as that final system of checks and balances that can ensure that your final draft is your true final draft that is ready for script readers, development executives, managers, agents, talent, and judges. When you're done, you want to be done.īut you're doing yourself no favors by rushing towards that pinnacle of every screenwriter's journey - The Final Draft. You've dedicated every waking thought and extra moment of imagination to tell your cinematic story. You've labored for months writing and rewriting. It's a natural mistake that all screenwriters make at one time or another. Throwing caution to the wind after you type THE END and sending out your latest draft without some checks and balances is a surefire way to rejection and failure. ![]() When is your screenplay really done and ready to be unleashed upon the world of Hollywood, contests, competitions, and fellowships?
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